Concert Memories: Radiohead at Suffolk Downs Racetrack, Boston, MA 8/14/01

I've previously written about some concerts I've been to on this site...these have included Blur, Gorillaz, Peter Frampton, Paul McCartney, Damon Albarn, and Ringo Starr.  I thought it would be fun for both me and you, my loyal readers, if I wrote up more of the shows I've seen in the past. There are two reasons that finally convinced me I should do this: 1) I thought it would be fun to share my experiences and hopefully spur conversation with those of you who may also have seen these (or similar) artists, and 2) it would force me to think back and dig up my memories of these experiences before I forget them!   There are a lot of them so I'm going to do them one per post in order to spread them out.  I'm going to keep the order random so that it doesn't get too predictable and hope that you enjoy reading these as much as I've enjoyed thinking back on them and writing them up.

Without further ado, first up will be...

Radiohead/The Beta Band Live at Suffolk Downs Racetrack, Boston, MA August 14, 2001

I'd been a huge Radiohead fan since their second album, the exquisite The Bends, came out in 1995.  I finally got the chance to see them in 2001 while they were supporting their latest two records, 2000's Kid A and 2001's Amnesiac. The concert was at the historic Suffolk Downs Racetrack in East Boston on a typically muggy August night in New England.  I went with my wife (then my fiancee), brother, and sister.  We drove down to Charlestown from our home on the New Hampshire seacoast and took the T to the racetrack.  I'd never seen a show there before so I wasn't sure what to expect as far as seating arrangements; turns out, there were none!   It was 100% general admission, with the stage set up toward the end of the racetrack infield.  We got there relatively early so if I recall correctly we were about thirty feet from the stage, standing the whole time.   There were no barriers, just a rope between posts running across the entire infield to keep the crowd out of the "pit" area in front of the stage where the photographers and press were.  There were two opening acts: first up was Kid Koala, a DJ who did some crazy things with a turntable. Not really my cup of tea but I remember being impressed by the bit he did at the end when he was spinning and dancing around doing all of these crazy moves and working his turntables without missing a beat. He later joined Radiohead for a a song during their set.  As for the second opening band, they were an indie rock band from Scotland who I'd only ever heard of but never actually heard called The Beta Band.  I'll cut right to the chase and say that they were absolutely fantastic. I was blown away by their set and it made me a fan right from that very moment. I think I went out that same weekend and bought all of their albums and continued to follow them until they sadly split up in 2004.  It was one of the rare times when I enjoyed a support act so much that I became a full-blown fan.  Finally, after a long wait, the headliners hit the stage...

What I remember most about the show was that it was overall very, very good. They played a nice cross-section of material from every album of theirs to that point (apart from the debut), with the only glaring omission being "Optimistic." I was really surprised and disappointed that they didn't play it, as it's one of my favorite songs of theirs and was the big single from Kid A released just a year before. Kid Koala joined them for a very long, drawn-out, and awesome version of "The National Anthem" to open the show.  There was a comical screw-up during the first section of "Airbag" that caused the band and crowd to laugh as it fell apart. They started it again and pulled it off flawlessly.  They hit all of the big songs from Kid A and Amnesiac, as well as numerous classics from OK Computer and The Bends. I remember being really pleased to hear two of their obscure (and great) b-sides like "Pearly*" and "Talk Show Host." I also can still feel the incredible atmosphere of brooding, majestic songs like "Lucky," "Pyramid Song," and "Like Spinning Plates" as they soared on the thin breeze that blew through the muggy night.  At one point, a teenager bumped into me from behind and when I turned around, he looked up into my face (I'm 6'5") and said "are you a cop?" When I said no, he offered me his joint, to which I told him to get lost (I've been proudly drug-free my entire life).  Later on in the show, something happened at the back of the crowd which brought a big roar from behind before everyone started pushing forward in a massive crush. It was actually quite scary and I remember my brother (who is 6'3" and solidly built) and I (as stated, 6'5" and also solidly built) tell my wife and sister to get in front of us as we locked elbows and held back against the crush.  It was probably the most scared for my safety that I've ever been a show as the crowd was really surging hard and had they not let up, I'm not sure we could have remained standing more than another few minutes. It hurt!

In any event, the show ended up being excellent and one I'll always remember.  It was at the height of my Radiohead fandom; I'm still a fan but it's cooled off quite considerably since then. I was pretty disappointed with their 2003 album Hail to the Thief and they then disappeared for ages before coming back with 2007's excellent In Rainbows. However, the 2011 follow-up The King of Limbs was a crushing disappointment and all of the momentum and excitement they'd generated as one of the most innovative rock bands of the late 1990s/early 2000s was squandered.  To date it's the only time I've seen them live and while I certainly wouldn't say no to seeing them again, if I never see them again I'm perfectly content with the fact that I saw them once and that it was a great concert.  Bonus points for turning me into a lifelong fan of the Beta Band, too!

Set List:

The National Anthem 
Airbag (w/false start) 
Morning Bell 
Lucky
Knives Out
Packt Like Sardines In A Crushed Tin Box 
No Surprises 
Dollars & Cents
Street Spirit (Fade Out) 
Pearly* 
Just 
I Might Be Wrong 
Pyramid Song 
Paranoid Android
Idioteque 
Everything In Its Right Place
 
Encore: 

Like Spinning Plates 
Talk Show Host 
You And Whose Army? 
The Bends
Karma Police 
The Tourist

(Within a month or two of the concert, I was lucky enough to track down someone who had taped the show and I have a complete audience recording of this concert on CDR. I always try to get recordings of the shows I've been to so that I can relive them whenever I want)

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Great Album Art From the CD Era

For those of us who take our music seriously and also who remember the (original) days of vinyl, the art and packaging of the album as a self-contained work of art is as important as the music contained within.  While the art of the original vinyl era of the 1960s and 1970s and even the new vinyl that is being released now is highly regarded, it's also used as further proof that vinyl beats all other formats.  Now, I've written about my love of vinyl and the personal experiences and memories I have of it and those feelings will never change. However, as someone who grew up in the peak period of the CD age and whose collection is predominantly on CD (1000+ CDs and counting), I also need to defend this assertion that only vinyl albums have worthwhile art and packaging.  Since you're currently reading this, it's obvious what my intentions are with this post, so without further ado let me set up what I want to share with you.

While interest in CDs and sales of the format are at an all time low, for many of us who are old enough to remember an era before digital music, physical formats will always trump digital-only collecting. I like having my most beloved music in a physical format for a variety of reasons, chief among them because I value the art and packaging as much as the sounds and, God forbid my ipod or hard drive crashes (and it has happened to me...twice), I still have copies to fall back upon. When bands still released their music primarily on CDs, many of them took as much care and effort into the artwork and packaging as their foreefathers in the 1960s, 70s, and 80s did.  As someone whose musical tastes spans the early 1960s to the present, I've seen this firsthand and so I want to share some of my favorite examples from my own massive CD collection.

(***A NOTE*** I am not taking into account reissues of albums from the 1960s and 1970s on CD which include the original artwork/packaging/booklets/inserts/etc. Not because they're not great...they are! But these are CD versions of the original vinyl albums. I am only focusing on albums released during the CD era, which I am defining as 1985-present, when the primary/only format bands released their albums on was CD***)

***...and please keep in mind that this list is purely subjective; these are simply some of my favorite examples!*** 

...And You Will Know Us By the Trail of Dead

One of my favorite modern bands also happens to be one of the leading lights when it comes to keeping the flame of great album packaging burning bright.  Trail of Dead play a bombastic mix of noisy alternative and grandiose epic progressive rock and their album art always has the cinematic scope to match the music.  Part of the reason is that they are fortunate to have a fantastically talented artist in Conrad Keely, who also happens to be the chief singer/songwriter/guitarist/creative force within the band.  Keely is responsible for drawing and/or painting all of the album covers and inserts, as well as writing the accompanying liner notes and librettos.  As a fellow lifelong comic book fan, Keely's approach really appeals to my sensibilities and these albums could just have easily have been released in the 1970s or 80s and fit right in.   All of their albums have great art but the ones below are my personal favorites from their discography.  

The first album of theirs to have truly elaborate art was 2005's Worlds Apart, with a Marvel Secret Wars-inspired front cover, an elaborate triptych gatefold, and a booklet with illustrated lyrics.

The inner triptych

Their 2009 album, The Century of Self, had artwork from Keely that was drawn 100% in blue ballpoint pen which is very intricate and striking.

2001's Tao of the Dead was a gorgeous package where there was more to the story than just the music.  Several of the tracks on the album are part of a story Keely is working on called "Strange News From Another Planet" and the album art incorporates characters and scenes from the story. Also included in the package is a graphic novel containing the first part of the story (the rest is supposed to be forthcoming as a standalone graphic novel in the future).

The mini graphic novel

Inside the mini graphic novel

For 2012's Lost Songs, the CDs are housed in a thick book containing a 180-page story (with illustrations) by Conrad Keely. The CDs also contain the album in two versions: one version as discrete tracks, the other version as one continuous, segued piece of music.

That is a thick book to come with some CDs!

Their latest album, from 2014 and entitled IX, continues their tradition of elaborately designed artwork and illustrated booklet.

Some fans and critics consider the band's presentation to be ostentatious and over the top, but that's one of things I love about them. Besides the music, they understand that the experience of an album involves more than just the music; it's an appeal to the imagination and to the senses.


Radiohead

While Radiohead is well known and highly regarded for their ambitious music, they also have very interesting artwork for all of their albums (except for maybe their debut), which is due to their collaboration with artist Stanley Donwood. Each of their albums have interesting presentations, but the ones below are my favorites.

2000's Kid A had very stark, ominous artwork which in and of itself was cool, but there was something else hidden underneath the CD tray...

What's that under the tray?

...why, it's a second album booklet containing some very interesting, bizarre, and disturbing artwork and writing.

Pop off the tray and voila! Bonus booklet!

Lots of weird clues and things in this one...

Their 2007 album In Rainbows was notorious because the band let fans name their own price to download it before the physical version was released in stores. However, if you're like me and you must have the physical version, you were in for a treat with the packaging.

The package folds open to show a bunch of goodies...

...including the CD in slipcase as well as stickers and inserts in order to create your own jewel box version of the album (if you so desire).

Construct your own jewel box, complete with stickers and inserts

2011's King of Limbs, while a rather disappointing album (my opinion), has neat packaging, being presented like an old vinyl album. It opens up into a gatefold with the CD held on the right hand side.

The Smashing Pumpkins

I distinctly remember buying this mammoth double album when it came out in 1995; I'd been a fan of the Pumpkins from their first album and after the exquisite Siamese Dream I was curious where they would go. What they ended up releasing was a sprawling epic that was 1990s American alternative rock's version of The White Album, and that included the packaging.

Each disc had its own title and theme and the album came with two booklets.

The first booklet contained elaborate color art that loosely (maybe?) related to the music but was nonetheless interesting to look at.

The second booklet was made to look like an old manuscript and had the lyrics for all of the songs accompanied by little drawings and doodles.

Beck

Beck's 2006 album is great musically, while artistically it was a blank slate...literally. Apart from a sticker with his name on it, the album cover was nothing more than blank graph paper. This was because... 

Where's the cover art?

...Beck invited his fans to create their own unique album cover! His thinking was that no two covers would be alike and in order to accommodate this, there were six sheets of stickers with different graphics and logos.

I've never had the heart to use the stickers, but it's still cool to look at them every once and a while

Mansun

You all know Mansun are a favorite band of mine for their music, but I also have always enjoyed the artwork for these two following albums.  Their second album, 1998's epic Six, is one of the lost masterpieces of the 1990s; a quasi-prog rock album with layer upon layer of complexity that somehow was categorized as BritPop when it came out!  The striking album cover is full of clues and references to the music contained within, as well as items of personal meaning to the members of the band.

The album was set up to be listened to like two-sided vinyl, complete with an interlude track halfway through. The booklet has lots of great photos of the band as well as the lyrics to the songs and is more like a theatre program than an album booklet.

Finally, I've always liked the painting on the rear cover of the booklet...the other half of the day for the cover's central figure (and it also happens to be a reference to my favorite song on the album, "Television.")

Mansun's fourth and final album, Kleptomania, was released in 2004 (after the band split up) due to fan pressure from a petition that was signed and submitted to Paul Draper and EMI/Parlophone. It was a 3CD set, with the first CD containing the final album, the 2nd CD containing popular singles and B-sides, and the third CD made up of rarities and demos. I just really like the presentation of the package, from the clear slipcase to the way the black and white lettering looks when the case is unfolded. The booklet is again a thing of beauty with notes about each song from Paul as well as lots of great photos and a potted history of the band.

The Bluetones

Last but not least, the second album from another favorite band of mine; this is probably also my favorite album of theirs. In keeping with the theme of the title, the booklet for 1998's Return to the Last Chance Saloon is hidden behind mini saloon doors which need to be opened before you can get at all of the lyrics and recording info. Neat!

Miniature saloon doors!

There you have it, some examples of what I think are great album packaging and art from the CD era. There are many more within my collection and I have a feeling I'll be doing at least one more post like this as I happen to go through and pull some of those albums out in the future, but these were the examples that came instantly to mind when I thought of doing this post. I hope you enjoyed it and would love to know what you consider some examples of great CD-era album art from your own collection.  Please share in the comments below!

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